Daniel Gritzer

Revolutionary anthems have always been a powerful tool to express social and political messages. In Le Tigre’s Feminist Sweepstakes, the band delivers an explosive and empowering message with their feminist punk rock sound. The album takes listeners on a journey of self-discovery and activism, challenging societal norms and advocating for gender equality. With its raw and unapologetic approach, Feminist Sweepstakes is a must-listen for anyone looking to unleash their inner revolutionary.

What is Le Tigre’s Feminist Sweepstakes?

Le Tigre’s Feminist Sweepstakes is the band’s second album released in 2001, featuring feminist and political themes.

Who is Le Tigre?

Le Tigre is a feminist electro-punk band formed in New York City in 1998, consisting of members Kathleen Hanna, Johanna Fateman, and JD Samson.

What are some notable tracks on the album?

Notable tracks on the album include Deceptacon, What’s Yr Take on Cassavetes, and The The Empty.

How does the album explore feminist themes?

The album explores feminist themes through its lyrics, which address issues such as gender inequality, sexual harassment, and body positivity.

Why is the album considered revolutionary?

The album is considered revolutionary for its bold and unapologetic feminist message, as well as its use of electronic music to convey political ideas.

Le Tigre’s Feminist Sweepstakes is a revolutionary anthem that empowers and inspires women to stand up for their rights. The album’s feminist lyrics and upbeat sound create a unique listening experience that leaves a lasting impression on the listener. Overall, this album is a must-listen for anyone who values equality, diversity, and social justice.

Feminist Sweepstakes is the second studio album by American dance-punk band Le Tigre. It was released on October 16, by record label Mr. She had previously worked with the band as a roadie and the operator of former member Sadie Benning s slide show during live performances in support of their first record. Another version of the album was released on August 24, with a bonus multimedia track, a different version of Well, Well, Well featuring Vaginal Davis. Feminist Sweepstakes has been generally well received by critics, and holds an approval rating of 78 out of on Metacritic based on reviews from 16 critics. Mojo reviewer called it Protest music that doesnt protest too much a music with such a joy and wit to its outrage that it acquires a universality beyond its subject matter. Slightly less favourable was Allison Fields of Pitchfork , who wrote Feminist Sweepstakes wants to be a terrifically fun album, yet with no deviation from the ceaseless politics and endless drum machine beats, things go stale. Club wrote Hanna is a crafty writer who can give song lyrics the weight of a masters thesis, but she often sounds tired and resigned this time out and that the album suggests a band less inspired by its own purpose. From Wikipedia, the free encyclopedia. Le Tigre. Retrieved January 11, The A. Archived from the original on December 11, Entertainment Weekly. Archived from the original on January 11, November Rolling Stone. December Alternative Press Remix From the Desk of Mr. Discography MEN Mr. Lady Records. Authority control MusicBrainz release group. Hidden categories CS1 errors missing title Articles with short description Short description is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers Articles with MusicBrainz release group identifiers. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Dance-punk , indietronica , riot grrrl. Chris Stamey , Le Tigre. From the Desk of Mr. Lady Feminist Sweepstakes Remix Le Tigre This Island Robert Christgau. A 4. A 5. Pitchfork Media. Le Tigre, Tammy Rae Carland. MusicBrainz release group.
Early in my freshman year of college, I was severely reprimanded and summarily cold-shouldered by the newly formed Womyns Early in my freshman year of college, I was severely reprimanded and summarily cold-shouldered by the newly formed Womyns Collective for the following suggestion. I squirmed a bit in my seat, and felt stares of my classmates so hot with accusation that I swore I could feel the skin burning off my face. The girl in charge who would never admit to being in charge– after all, this was a radical feminist organization and hierarchy is a patriarchal construct cleared her throat ominously Would you mind clarifying your comment, Alison? I swallowed, stymied. How the hell do I get out of this one? I mean, this is an all-womens college, and Ive just cleared the path to take the sacred cow to the slaughtering block. So I followed through. I know its punk rock to sound all raw and simplified, but it seems like riot grrls are allowed to be as bad as they want because theyre largely cute and spunky and, well, girls. I mean, rock and roll has been a boys club for years, and that should change, but our collective inability to put riot grrl bands under the same scrutiny we put any other band I mean, isnt that kind of patronizing? The surrounding faces went near purple with rage. And yeah, I was only eighteen, but I knew how to take a hint. I left. Approximately seven years to the day of my Womyns Collective debacle, I find myself reviewing Le Tigres second album, Feminist Sweepstakes , with some degree of trepidation. Seven years clears a lot of air. Of course, Im less of a contrarian these days, and to be fair, some of those ex-riot grrls have made some really extraordinary music outside the confines of the movement they created. Kathleen Hanna among them. Using samples, drum loops, fuzzy guitars and synthesizers, Le Tigre has created an infectious mode for delivery of heavy-handed polemic, as evidenced by their self-titled debut. It was– to quote Feminist Sweepstakes F. Feminist Sweepstakes doesnt deviate much from the first albums sound, despite the change in line-up shortly after the release of Le Tigres self-titled debut, JD Samson of the underground dance troupe Dykes Can Dance replaced video artist Sadie Benning. The model is basically the same hip-hop and disco-informed dance tunes undercut with punk rock adrenaline levels and post-feminist diatribes. Only time out, its more of a dance party. Though it would be premature to accuse Le Tigre of mellowing with age– especially with the shouted tirade on F. R indicating the contrary– there are moments when the ranting subsides. And there, with the vengeful faces of the Womyns Collective burned into my brain, is where I levy my single complaint.